Las óleos de todo Francesco Albani


ID Image  Painting (From A to Z)       Details 
76658  
Francesco Albani, Adonis Led by Cupids to Venus, detail
 
 Adonis Led by Cupids to Venus, detail   1600(1600) Oil on canvas cjr
58182  
Francesco Albani, Albani Baptism of Christ ca 1640
 
 Albani Baptism of Christ ca 1640   Albani's Baptism of Christ ca 1640 (State Hermitage Museum, St. Petersburg).
82414  
Francesco Albani, Apollo and Daphne
 
 Apollo and Daphne   ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf
79515  
Francesco Albani, Apollo and Daphne.
 
 Apollo and Daphne.   ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in)
79595  
Francesco Albani, Apollo and Daphne.
 
 Apollo and Daphne.   ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in) cjr
73796  
Francesco Albani, Baptism of Christ
 
 Baptism of Christ   Baptism of Christ cjr
79605  
Francesco Albani, Cupids to Venus
 
 Cupids to Venus   1600(1600) Medium Oil on canvas cyf
77166  
Francesco Albani, Diana and Actaeon
 
 Diana and Actaeon   ca. 1617(1617) Oil on copper 61 cm (24 in). Height: 52 cm (20.5 in). cjr
80586  
Francesco Albani, Diana and Actaeon
 
 Diana and Actaeon   1617(1617) Medium Oil on copper cyf
82452  
Francesco Albani, Hermaphroditus and Salmacis
 
 Hermaphroditus and Salmacis   Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf
92043  
Francesco Albani, Hermaphroditus and Salmacis
 
 Hermaphroditus and Salmacis   between 1591(1591) and 1666(1666) Medium oil on copper mounted on panel Dimensions 14 X 31 cm (5.5 X 12.2 in) cyf
79560  
Francesco Albani, Hermaphroditus and Salmacis.
 
 Hermaphroditus and Salmacis.   between 1591(1591) and 1666(1666) Oil on copper of panel 14 x 31 cm (5.5 x 12.2 in) cjr
77302  
Francesco Albani, Holy Family
 
 Holy Family   between 1630(1630) and 1635(1635) Oil on canvas 43 cm (16.9 in). Height: 57 cm (22.4 in). cjr
76011  
Francesco Albani, Spring
 
 Spring   between 1616(1616) and 1617(1617) Oil on canvas cjr
77945  
Francesco Albani, Spring
 
 Spring   between 1616(1616) and 1617(1617) Medium Oil on canvas cyf
82983  
Francesco Albani, The Baptism of Christ
 
 The Baptism of Christ   xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr
88769  
Francesco Albani, The Baptism of Christ
 
 The Baptism of Christ   1630-35 Medium Oil on canvas cyf
80091  
Francesco Albani, The Cupids Disarmed
 
 The Cupids Disarmed   between 1621(1621) and 1633(1633) Oil on canvas Height: 202 cm (79.5 in). Width: 250 cm (98.4 in). cjr
76008  
Francesco Albani, The Holy Family
 
 The Holy Family   ca. 1610(1610) Oil on copper 28.5 cm (11.2 in). Height: 37.5 cm (14.8 in). cjr
77947  
Francesco Albani, The Holy Family
 
 The Holy Family   ca. 1610(1610) Medium Oil on copper cyf
82266  
Francesco Albani, The Holy Family
 
 The Holy Family   The Holy Familyx, oil on canvas Date 1630 - 35 cjr
86671  
Francesco Albani, The Holy Family
 
 The Holy Family   Date 1630-35 Medium Oil on canvas cjr
75849  
Francesco Albani, TOilet of Venus
 
 TOilet of Venus   between 1621(1621) and 1633(1633) Oil on canvas 252 cm (99.2 in). Height: 202 cm (79.5 in). cjr

Francesco Albani
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.



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